There’s nothing left to try
There’s no place left to hide
There’s no greater power
Than the power of good-bye
Posts from the Chapter 3 Category
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- 8:40 AM
- Chapter 1
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 2
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
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- Chapter 3
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 4
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 48
- Chapter 49
- Chapter 5
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
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Day/Page/Sketch #19
In pre-Victorian days, convicts were given numbers instead of names, to stigmatize them as nonpersons and to keep them from being identified. On the other hand, carriages and hotel rooms were entitled to names instead of digits.
Day/Page/Sketch #18
“No one, at any rate no English writer, has written better about childhood than Dickens. In spite of all the knowledge that has accumulated since, in spite of the fact that children are now comparatively sanely treated, no novelist has shown the same power of entering into the child’s point of view.” George Orwell.
Day/Page/Sketch #17
This isn’t London.
This isn’t Berlin.
This isn’t Hong Kong.
This isn’t Tokyo.
Day/Page/Sketch #16
This is the first time we meet Compeyson, the man who abandons Miss Havisham on her wedding day. He is the example of everything that was wrong with London at that time. He uses social status to get him out of trouble, and uses friendship and love for his own personal gains. Have things changed that much since then?
Day/Page/Sketch #15
The second sentence of this chapter made me gasp. I had to stop and sketch right then and there. I could not resist the endearing metaphor of the crying goblin. Period.