Everyone in the world cries out for a status in society, and this status must be acknowledge by others or it’s no status at all. Internally, we are hot tubs of icky misery.
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- Chapter 1
- Chapter 10
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- Chapter 14
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- Chapter 16
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Day/Page/Sketch #406
Why is closing a door a problem? Why do we insist being in the same room that’s suffocating us? Our favorite pastime is getting stuck winning. Simply leave the conversation, politely, leave the room, and close the door behind you. And if they follow you, keep closing that door, over and over again, politely, until they get it.
Day/Page/Sketch #405
Every step forward is followed by a step back. Progress doesn’t really exist.
Day/Page/Sketch #404
One of the main intentions of the Visual Arts is to educate us to be good lovers, not to shove us in a dusty corner while some shallow people pretend, which is what usually happens instead. Lovers of colors and shapes, lovers of functions, lovers of poetic meanings, and ultimately, lovers of people.
Day/Page/Sketch #403
The value of patience: we lose sight of what we really believe in and who we are in the tumult of our daily lives. We rather be in the tumult than be patient.
Day/Page/Sketch #402
Homogeneous opacity and the rejection of nuances have always been attributed to the ideal masculine cannon. The closer to that cannon, the less one is an artist. I assume the responsibility for its decline.
Day/Page/Sketch #401
You don’t understand: any kind of inspiration comes from a state of exaggeration, from a hyperbolic mind. Some people can’t handle that, they get irritated by it. They think artists are charlatans. It’s not that. It’s that the world as we see it seems too small to be used as comparison for how we feel. We need some poetry!
Day/Page/Sketch #400
My mind is so soupy and wooden this morning. I’m trying to milk some thrifty tears from somewhere, but I’m afraid I’m just going to sap some enervating ludicrousness. Sometimes, instead of coercing a fruitless dialogue with yourself, it’s better to make some tea and take care of something shallow. Yes, that’s what I’m going to do.
Day/Page/Sketch #399
The moment a piece of artwork is made known to the world, either to a single person or the masses, it gets judged, classified, put in a box, and forgotten. No one remembers what they had the night before for dinner, because it makes no difference.
Day/Page/Sketch #398
These pages are like little paper boats. I make them, place them on an anonymous stream of water, and see them go and disappear. That’s all. Nothing else changes. Nothing else happens. I just repeat it over and over and over again. I don’t know why.
Day/Page/Sketch #397
The day didn’t give me much opportunity to rest for reflection, and as a result I am fully determined to say something.
Day/Page/Sketch #396
Our frivolous and sudden expressions of emotion demand the context of a burlesque theater, with an audience that must be shocked by our acted anger. What a great performance.
Day/Page/Sketch #395
It is a mystery why some mornings we wake up with a heavy hunger to knock down everything, alive or dead. Chores feel like a cereal bowl full of ashes. People feel like wilted plastic flowers left in the elements of an abandoned grave. We resent the weather outside, any kind of weather. Our eyes are tearless. We zoom in our fingernails to tune out. We want to end everything.
Day/Page/Sketch #394
There are no more new dawns. We have passed the time when we thought a new beginning was upon us. We are now rushing to study our demise. It’s a new era, the era of self-pity. There are no saviors in the horizon. Nothingness is very familiar now.
Day/Page/Sketch #393
After each day we are a little bit emptier, a little bit heavier, a little bit rustier. We’re greeted by another kind of fatigue, just when we thought we were able to forget yesterday’s. We blindly bite into the ground with such absurdity. Repeat.