Posts from the 8:40 AM Category
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- 8:40 AM
- Chapter 1
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 2
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 3
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 4
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 48
- Chapter 49
- Chapter 5
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 59
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
Day/Page/Sketch #47
Hammering smoke: I see lots of people doing it all the time.
Day/Page/Sketch #46
Sometimes it seems hard to believe that Great Expectations was written in 1860. The letter Pip writes to Joe described in this page is so Dada. On a side note, I have a soft spot for blackboards.
Day/Page/Sketch #45
Our hero went to school one hour a day, and his teacher slept through the lessons. No surprise that he “bramble-bushed” the Alphabet. A bramble is any rough, (usually wild) tangled prickly shrub, specifically the blackberry bush.
Day/Page/Sketch #44
Charles Dickens was obsessed with the idea of a gentleman, what it meant in Victorian society, who was part of it. Being a gentleman for Dickens wasn’t as much about money as it was about style, manners, and knowledge. I truly think this still holds today.
Day/Page/Sketch #43
The M.C. in M.C. Escher stands for Maurits Cornelis. He was Dutch and he did the best tessellations I have ever seen.
Day/Page/Sketch #42
I never liked playing Truth or Dare. I always thought it’s an excuse to ask or do stupid crap.
Day/Page/Sketch #41
“Look at the circles under my eyes. I haven’t slept in weeks!” -Cowardly Lion
Day/Page/Sketch #40
Author Philip Larkin doesn’t like the whole Dickens Method. He considers Dickens an entertainer, not to be regarded as a real writer at all; not even a real novelist. Many scholars describe Larkin’s work as lowered sights and diminished expectations: that makes total sense.
Day/Page/Sketch #39
Day/Page/Sketch #38
A critical edition of a book is a regular edition of the book itself with scholarly responses to it and other information useful to better understanding the text. Thanks to a critical edition of Great Expectations I learn what a “miniature windmill” really is.
Day/Page/Sketch #37
“If you’re gonna be two-faced at least make one of them pretty.”
― Marilyn Monroe
Day/Page/Sketch #36
“You’re A Vegetable, You’re A Vegetable
Still They Hate You, You’re A Vegetable
You’re Just A Buffet, You’re A Vegetable
They Eat Off Of You, You’re A Vegetable”
Day/Page/Sketch #35
Shouting in the Dark is a book of John Bramblitt’s life, his struggles with epilepsy, his race against time as he prepares for complete vision loss, and his determination to find a way out of the engulfing shadows of blindness. It is the story of how he rekindles his capacity for joy, hope, and relationships through painting and teaching art. the book challenges you to rethink your perception of blindness and what it means to truly see.
Day/Page/Sketch #34
An imp is a mythological being similar to a fairy or demon. Imps are usually small and not very attractive. They are often mischievous rather than evil or harmful, much the same as fairies. In fact, they both share the same sense of free spirit and enjoyment of all things fun. Imps are lonely little creatures always in search of human attention.

